In “Dance of Opposites,” I continue to experiment with combining geometric and organic shapes, but this time without the constraints of words or letters. Bringing opposing energies—geometry versus organic—into one composition and achieving that point of harmony and balance presents a formidable and thrilling challenge for me. In “Dance of Opposites,” I also experiment with the technique of stamping as a new approach to apply alcoholic ink, allowing me to deepen into geometric shapes while creating visual contrast with the medium’s more fluid aspect.